At what point do fiction and reality meet? When does the
one become indistinguishable from the other? That is the fascination which lies
in spy stories real and invented. Fiction
enthrals, fascinates, gives us a break from the everyday and, more dangerously,
perhaps, a chance to make sure that fictionalised reality remains safely within
the confines of the imagination. Reality
TV, whether it is part drama or entirely documentary, allows us to look at reality
objectively. But being an onlooker in regard to the suffering of others can
also disempower the onlooker by inducing a form of sterile guilt, for which see
my earlier post on the dangers of political apathy.
When it comes to distinguishing the real from the unreal,
we need to be able to recognise lies and betrayal for what they are. Take, for example, the excellent BBC documentary
drama about Kim Philby, the notorious double agent (Kim Philby – His Most Intimate Betrayal BBC2). Real footage set
into the drama allows the viewer to look at the actor alongside the real man, and
so observe, in a fairly objective way, what a liar looks like. Lies have a
powerful attraction, perhaps because they are at the root of much that goes
wrong in the contexts in which power is exercised and maintained. Raw power is
potent and addictive, and those who depend on it will inevitably need to lie
and betray others. Unfettered power is
also ephemeral. There is something not quite real about it, so those who want
to keep it at any price must reinforce it with something equally unreal which
they must first find in themselves. At what point, then, does the real person
merge with the unreal?
Lies create their own fantasy realm which is how illicit
power is maintained over nations. When it comes to exercising and maintaining power in the more intimate context of family relationships,
the one who is being lied to must be persuaded that he or she is in fact the liar. This
is the worst form of betrayal because it makes the victim’s self understanding neither
truthful or real. The real merges with the unreal and he or she experiences inner
fragmentation, like a tower block which, when dynamited at the press of a
button, collapses in on itself and is, in effect, obliterated. Betrayal and
lies obliterate their victims from within. Christ experiences something similar when he
is betrayed by one of his friends, an inner fragmentation which culminates in
his forsakenness, his seeming obliteration, on the cross.
The nature of redemption is that it restores things to
what they should be. Redemptive love restores those who have been forsaken in
being lied to and thereby betrayed. It also restores the liars and betrayers.
The cross, and what it seems to have destroyed in the betrayed and disfigured
Christ, is in fact the making of a new creation. Redemptive love takes betrayal
into itself and ‘re-makes’ whatever it is that has distorted a person and turned
them into a liar or a betrayer. It redeems, or ‘buys back’, the goodness which they
once had and, in so doing, redeems the person.
Since time and all things are interconnected, all things,
and time itself, are destined for this ultimate redemption. All betrayers, and
all the victims of betrayal, are held within the embrace of the cross. They are
‘steadied’ and await justice in this moment of equilibrium. The justice will
restore the victims of lies to their rightful place in God’s good purpose which
is his mercy, a mercy which draws all things into himself, so making peace by
the blood of his cross.
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